Dating columbia 78 rpm records

The reissue rights to the MGM film soundtracks were licensed to CBS Special Products in 1982 and were later passed on to MCA Records in 1986, where its releases of roughly 100 of them were the last vinyl LP versions; the rights to the classic MGM film soundtracks now reside with Rhino Records (2) which has been releasing restored and expanded CD versions on its Rhino Movie Music imprint in association with Turner Classic Movies.The MGM pop and country catalogs are currently managed by The Island/Def Jam Music Group via Polydor, Mercury Records, and Mercury Nashville, respectively.In May 1972 (after the Poly Gram takover) this became "Manufactured by MGM Records, Inc., 7165 Sunset Boulevard, Hollywood, Calif. Burdon), and the publishing info and cat# / label matrix numbers are found towards the lower end of the centre hole. Other typefaces found stem from: Southern Plastics, Nashville, TN.: They usually printed the publishing info and cat# centrally around the centre hole and used initials for the songwriter (e.g. "Metrolite" should be mentioned in the release notes and not in the format free text field.

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For all Unofficial / Bootleg releases of this label please use MGM Records (3) Also appears as "M-G-M" or "M. By 1953, MGM Records was considered a major label alongside Columbia, Mercury, Decca, Capitol and Coral.

As the 1950s progressed, MGM had signed a number of major talents including Conway Twitty, Billy Eckstine, Art Mooney, Joni James and Connie Francis (who would be the longest-serving artist on the label, recording from 1957 until 1973 but still releasing albums until the label's demise).

During its lifetime, MGM used several format prefixes, label designs and tapefaces that - very roughly - allow for a dating of the releases. Children records carry CH (mono) and CHS (stereo) prefixes.

US prefixes: "K": 7" 45 rpm singles, from 1949 until February 1974. "E/SE": Reissues with rechanneled - fake - stereo releases, since 1958 (often using the mono jackets with an attached sticker). Centre label designs: From the 1940s and until 1959, the label was yellow with a black lion logo and black lettering.

It launched the Cub subsidiary in 1956 and expanded into jazz by buying Verve Records from its founder Norman Granz in December 1960.

It became the American distributor for Deutsche Grammophon in 1962 (losing those rights when Polydor opened its US branch in 1969), expanded Verve into rock (The Righteous Brothers, the Velvet Underground, Frank Zappa and the Mothers Of Invention) and folk (Janis Ian, Richie Havens, Tim Hardin) music and became the distributor of Kama Sutra Records.

This gave the future Lieutenant Govenor of California a commendation from President Richard M. In this area, around 1970, the label was distributed and manufactured by Curb's 'Transcontinental Record Corporation', commonly abridged to TRC (2).

Curb righted the label's fortunes by giving it a more family entertainment-oriented focus, with The Osmonds becoming their biggest stars and by signing Petula Clark, Wayne Newton and Sammy Davis, Jr.; it also delved into the era's bubblegum pop (The Cowsills, Daddy Dewdrop), country (Hank Williams, Jr., Jim Stafford, C. Mc Call, Mel Tillis) and soul music (Lou Rawls, Johnny Bristol).

From October 1960 until around 1971, labels read at the bottom "M-G-M Records - A Division Of Metro-Goldwyn-Mayer, Inc." (later changed to M. M Records - A Division Of Metro-Goldwyn-Mayer, Inc. Typefaces: All MGM Records Division pressings carry a typeface from Pace Press, NYC. Example Midwest Record Pressing, Inc., Chicago, IL.: Their typeface is rather narrow and not bold. It's not unusual that a single release was pressed by several different pressing plants, e.g. A note about 78 RPM releases: in the late 1940s-1950s MGM used a proprietary vinyl product called "Metrolite".

and then MGM Records - A Division Of Metro-Goldwyn-Mayer, Inc.). 1976 onwards, the bottom read "Manufactured And Marketed By Polydor Incorporated/810 Seventh Avenue/New York, N. This is mainly identifiable by using surnames only as songwriter credits (e.g. If record labels indicate they were pressed on Metrolite, these should be entered into the database as "Vinyl, 10", 78 RPM" releases.

At its height as an independent company RCA was the dominant communications firm in the United States.

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